马小强（李灿森 饰）是一个整日和朋友鬼混，流连于欢场之中的花花公子。一次偶然中，他在夜店邂逅了名为苹果（李珊珊 饰）的女孩，两人一见钟情，当晚便打得火热。第二天，马小强才知道，原来苹果的父亲，竟然是黑社会老大九纹龙（陈惠敏 饰）。苹果带着马小强见了自己的父亲，九纹龙要马小强以性命担保，不会辜负女儿。 虽然马小强的内心已经退缩了，但碍于九纹龙的淫威，他只得按捺下内心的骚动，老老实实的和苹果处对象。可就在这个节骨眼上，一个名叫由丽（春日井静奈 饰）的日本空姐搬到了马小强的隔壁，性感美艳的她天天对马小强投怀送抱。
自负能干的“保护要员组”警员李文健（郑伊健 饰）因性格问题与女友Brenda（林嘉欣 饰）的感情亮起红灯。因为一起棘手案件，他与正在监狱服役的原警方心理组的催眠师黎尚正（黎明 饰）打上交道。尽管知晓黎尚正厉害的李文健表现得异常谨慎，却仍被黎尚正神不知鬼不觉的催眠，助其盗 走了要保护的南非宝钻。 在寻回宝钻的过程中，李文健发现黎尚正盗钻实属无奈，他其实是一个正直、善良、忍辱负重的真男儿，决意协助他来共同对抗拿其妻子（徐静蕾 饰）和好友一双儿女的性命进行威胁的黑帮大枭欧阳锐（吴镇宇 饰），并在此过程中回归了与Brenda的感情。
19世纪中叶，西班牙巴斯克地区一个偏远所在。衣着考究的阿尔弗雷德·奥提兹（RamónAgirre饰）来到了当地一个小镇，他自称为省政府工作，此行的目的是找当第一个外号“铁锤”的铁匠帕尔西·弗朗西斯科（坎迪多·乌兰加KandidoUranga饰）了解事情。从当地人口中得知，铁锤脾气暴躁，不好相处，他所在的铁匠铺已成废墟，传言中这个铁匠更被人们视作魔鬼。未过多久，小镇的男人弄清了奥提兹的真实意图，原来数年前的西班牙资产阶级革命后，传言卡洛斯的黄金就隐藏在铁匠铺中。利欲熏心的镇民和奥提兹前往铁匠铺，却不知这里正是地狱魔鬼出没的恐怖所在……本片根据西班牙民间故事改编。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
讲述了90年代普通少女罗琦琦成长中的点点滴滴，爱情与友情以及身边每个人生活和思想上发生的剧变。
警视厅麻布中央署两位备受期待的年轻刑警二人组。 他们用一边偷懒一边高效的方式， 开启不想陷入危险的新刑警故事。
Bravo续订旗下新剧《怪妈闯荡记》。
《黑暗物质》第三季已回归。
一次溺水意外，让夏米（杨颖饰）失去了双亲，是渔夫叔叔给了她第二次生命。她发奋努力，凭借会唇语的优势，在律师事务所担任助理调查员，并适时地抓住机会，拿到了一次去马来西亚美丽海岛的调查机会，因为客户怀疑游乐乐（彭于晏饰）在实行诈骗。她一上岛，就目睹了一场海盗劫持人质的事件，她及时出手相救，没想到竟然闹出笑话。原来，游乐乐喜欢独出心裁帮恋人制作创意婚礼。经过几次捣乱，游乐乐和夏米成了欢喜冤家。夏米假装不要工钱，替游乐乐打工，希望能够挖到他诈骗的犯罪证据。然而，在撮合了一对即将结婚却闹分手的恋人郝常（朱雨辰饰）和苏菲亚（周扬饰）之后，他们加深了了解，冰释前嫌，并且暗生情愫。而就在这时，客户出现了，夏米赫然发现他和游乐乐是同父异母的兄弟，而且在一番明争暗斗之后，她还揭开了一个惊人的秘密……
专门培育职业演出明星的学园「圣女斯克威尔学院」，举办了一年一度的盛大活动「 少女竞技」！为了站上这个梦寐以求的舞台，少女成立了组合，发起了挑战！
金哈克曼饰杰森罗德上校，一心追查其在越南战场上失踪的儿子，他数度向美国政府陈情始终石沉大海，罗德绝望之余只好采取自力行动罗德的苦衷获得德州油亨的资助，召集其子在陆战队服役时五位军中好友，经过数周艰苦的训练之后，七人毅然前往寮国展开一场惊险的营救行动。
本片是80多岁高龄的德国电影大师爱德嘉·莱兹对其史诗系列作品的总结，亦是其电影人生的总结。影片的原始素材来自于其往年自编自导的现代德国史诗《故乡》三部曲剧集，而现在，这部大气磅礴的史诗则被搬到了电影银幕上。导演以强烈的黑白影像风格与冷峻的笔调，通过一个德国农村里农民生存的故事，向我们展示了德意志民族的人性、历史、文化等方方面面。静心感受一次涤荡灵魂的净化之旅，绝对会让你受益良多，更何况还有另一位德国电影大师赫尔佐格的友情出演。\r2014年第64届德国电影奖最佳导演、最佳剧本、杰出故事片。