肝胆情难舍，夺爱恨难平！董斐(陈键锋)不理亡父遗训，乘姊姊岚(盖鸣晖)不觉时偷走出自幼居住的桃花村，途中结识了渔家子常欢(吴卓羲)。斐、欢到钱塘江观潮，斐对富家女邢晓雪(曹敏莉)一见钟情。岚、斐意外发现父亲当年含冤而逝，为了为父讨回清白，二人在杭州住下。岚因调查而认识了佯装搭棚工人的节衡都尉狄英伟(元华)。伟义兄为沧洲五鬼所杀，伟为了方便调查而一直隐藏身分。调查下来，原来岚父之死，与沧洲五鬼及雪父均环环相扣。另方面，斐、欢因为雪而闹翻，斐更因利欲熏心而重创岚……
平凡的麻辣串小贩章晓，在一次意外中被慕家小千金慕娅认作妈妈，一时心软与商业精英慕宸签下保姆协议，由此开始了一段萌动有趣的“带娃生活”，也让失去了母亲的慕娅感受到了母爱的温暖。而原本一心事业的慕宸也在相处中渐渐被章晓的正直善良打动，不仅开始学习如何当一名好父亲，还与章晓发展了一段美妙的爱情，最终两人克服种种困难，成为幸福的三口之家。
紧接前一集《皇家赌场》的剧情，由于爱人维斯佩的背叛，邦德（丹尼尔·克雷格 Daniel Craig 饰）的怒火被彻底激发，甚至在执行最新任务时都不得不尽量克制个人感情，以免把这次任务升级为个人恩怨。通过与M（朱迪·丹奇 Judi Dench 饰）对白先生（加斯帕·克里斯 滕森 Jesper Christensen 饰）的审问，得知维斯佩是被一个难以想象的犯罪组织所要挟。为了能查清楚这个组织的情况，邦德根据手上的线索顺藤摸瓜，最终把目标锁定在了一个名叫格林（马修·阿马立克 Mathieu Amalric 饰）的商人身上。经过不断的调查，最终发现了这个犯罪组织的惊天阴谋，想控制全球的自然资源。在随时可能遭遇背叛、谋杀和骗局的情况下，邦德再次出击……最终成功挫败了这个惊天阴谋。 在这一集的片头，性感火辣的舞女轮廓将回归这部经典系列电影的片头。
来自Spy Films工作室的导演Arev Manoukian，拍摄的短片《白夜》（Nuit Blanche），聚焦于男女之间擦出火花的瞬间，什么也阻挡不了他们之间的爱情。优雅的慢镜、法国老电影式的质感，迷人浪漫。短片曾获2010年LG电影节大奖 （Grand Prize of LG Film Festival）。
上海1930年代，贫苦女人（阮玲玉）为养活儿子沦为暗娼，并不幸被一流氓看中霸占，她几次试图逃脱流氓的控制，均告失败，儿子到了入学的年龄，她不想因为没钱使儿子失去受教育的机会，便继续拿身体挣钱，为此，她要瞒着流氓从有限的收入里偷偷取出一些攒下。 她的身份被儿子同学的家长得知，众人联合向校方施压，要“妓女的孩子”滚出校园，以免败坏学风，校长通过家访，晓得了女人的艰辛，决定让她的儿子继续在学校读书，可是一人的力量太单薄，学校董事会仍决定将其开除，女人为使孩子能继续念书，去拿积攒下的血汗钱准备远走他乡，不想她的钱已被流氓偷去赌博输光……©豆瓣
Marquis（欧玛瑞·哈德威克饰）带着家人飞往偏远的阿帕拉契参加父亲的丧礼，不料途中一场暴风雨使得飞机失控。Marquis醒来时受了伤，自己一人困在Ms.Eloise（洛雷塔·迪瓦恩饰）的阁楼里。Ms.Eloise说自己用了Marquis的血和皮肤制作了巫毒Boogity，并将使用Boogity帮他治疗痊愈。求救无门的Marquis只能想尽办法以智取胜，试图下个月圆之夜之前逃离Ms.Eloise的巫术并拯救自己的家人免于这场邪恶的祭典。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
林家倚靠阳元矿石的买卖在炎城慢慢稳定了下来，然而一场突如其来的风波却又让他们损失惨重。林动虽然勉强掩护家人逃离，但是他深知只有自己能力真正的提升才能更好的保护家人。 妹妹青檀忍受寒毒折磨，为了不让哥哥林动担心，仍然表面保持着乐观，并对林动隐瞒寒毒的实情。 炎城符师岩大师为保住符师塔，力邀林动参加塔斗。虽然塔斗危险重重，但是林动出于对岩大师知遇之恩的感激，他依然全力以赴。凭借过人天赋不仅为炎城守住了符师塔，更得到了祖符的神秘信息，而沉睡已久的小貂也在符师塔中复苏。 为给妹妹青檀的寒毒寻得良药，林动与林家宗族队伍林可儿一起前往古墓搜寻宝物，在古墓解封之日，四大家族的顶尖高手悉数到场，绫清竹也在其中。 在古墓中，林动寻得极煞阴龙涎、天鳞古戟等众多宝物。在古墓正殿，邂逅到绫清竹，并目睹了绫清竹收复涅槃心时所展现的强大实力。林动在古墓元灵的引导下，与绫清竹一道炼化了涅槃心。 此时四大家族的高手进入到正殿，林琅天天在王家的挑拨之下，不分青红皂白，施展能力威压林动，林动顶住压迫走出正殿。离开古墓后林动遭到王炎及沈老的伏击，千钧一发之际，绫清竹出手相助，救下林动。 在帮助青檀凝练阴丹，彻底解决其寒毒之苦之后，林动独自踏上了修炼之路，一段关于“武祖“的传奇就此展开。。。
20世纪90年代初，香江怒海，一代枭雄倪永孝（吴镇宇 饰）雄霸黑道，风头无两。以此为契机，青春年少的警校学生陈永仁（余文乐 饰）肩负机密使命潜入黑道，从此开始了他无法回头的黑暗人生。与此同时，精明狡猾的黑道头目韩琛（曾志伟 饰）密令弟子刘建明（陈冠希 饰）考入警校，成为他日后纵横江湖最重要的一枚棋子。转眼十年，风云变幻。韩琛早已成为新千年的黑道霸主。一起毒品交易的攻防战，令他和黄督察（黄秋生 饰）都敏锐地察觉到“内鬼”的存在。
《真伪莫辨 Deception》由Chris Fedak与David Kwong负责﹑Chris Fedak编剧；该剧讲述一位魔术界的超级巨星Cameron Black（Jack Cutmore-Scott饰），当他的事业生涯因为一次丑闻而彻底被毁后，他只余下一个地方可以发挥他欺骗﹑幻象﹑操控的艺术 – FBI。现在他将成为世界首位用魔术协助政府解决各种奇案﹑对罪犯设局﹑以诡计进行间谍活动等的人。Ilfenesh Hadera饰演女主Kay Daniels，一个勤奋的FBI探员，与Cameron Black成为拍档。 Amaury Nolasco饰演Mike Alvarez，外表上是个典型的FBI探员，但暗地里其实是个超级魔术迷；Lenora Crichlow饰演Dina Clark，Cameron Black的演出人兼化妆天才﹑Justin Cho...
安宇熙，一名爱好音乐的男生，生活在一个幸福的家庭，爸爸、妈妈，还有一个可爱的妹妹安子熙安宇熙会经常捉弄妹妹，他把安子熙欺负的哭起来，或者假装生气迫使妹妹隐瞒秘密。突然有一天出现了一个男人自称是安宇熙的生父，安宇熙的身世之谜浮出了水面。同一个城市兄妹二人擦肩而过，再次相见是偶然还是天意？一次选拔活动再次把安宇熙和安子熙的命运联系在一起，他们共同努力，共同进步，安宇熙最终脱颖而出，得到了去一线城市学习发展的机会，妹妹安子熙也希望通过自己的努力将来有一天可以和哥哥再次相聚。