本片翻拍自2015上映的法国电影《非诚勿扰 Un peu, beaucoup, aveuglément (2015)》，讲述既不认识也不知道名字的男女隔着一堵墙展开的左冲右撞的浪漫喜剧故事。
主人公林烨是位年轻有为的科学家，他集合雷昊等一帮年轻人创办了新能源科技公司，一心研究让地球免于污染和灾难的环保新能源。女记者童风因新闻采访与林烨结识，在经历一系列误会后，两人互生情愫，并一起为新能源科技事业而奋斗，林烨故友狄昀出现，用卑劣的商业手段频繁阻挠，并窃取了林烨的科研成果。林烨和童风为了保护新能源与其斗智斗勇，也一再陷入险境，究竟林烨等人能否保全科研成果，与童风的感情之路又将何去何从？
成龙、吴恬敏、刘承羽、李威尹、尼科·桑托斯、黄谷悦、鲍比·李将为动画片《许愿神龙》(Wish Dragon)配音，索尼动画、耀莱传媒和Base Animation联合制作，约翰·赵、欧阳万成也在商谈加盟。影片将会是现代版《一千零一夜》，故事核心提醒大家生命中最重要的事是：努力工作、诚实、朋友和家庭。 Chris Appelhans首执导筒，此前他在动画部门参与制作了《了不起的狐狸爸爸》《穿靴子的猫》《公主与青蛙》等影片。阿伦·沃纳(《生命之书》《怪物史瑞克》系列) 和Chris Bremble联合制片，计划2019年上映。
倔强的人为了爱人奔走在空城，讨血汗钱的农民工巧合下驰援武汉，抗疫前线的人们除了顶着高压还要学会告别，后方阵地的社区工作者照顾居民却把风险留给了自己，平时疏于交流的父子也被迫日夜相处。总有一些措手不及的事情发生，但也总有一颗治愈的种子在人们心中生根发芽，这是一部关于春天和希望的电影。
我们这个故事男一王宇翔是个长相帅气却重情重义的男人，从小没有父亲，和妈妈相依为命。心怀音乐梦想的王宇翔不舍得离开患有心脏病的妈妈，放弃了音乐学院的进修，在一家修车厂打工我们这个故事的女主人则是一个从小所有光环围绕豪门千金，但是豪门也有豪门的不容易，家庭的变故以及感情的不顺自己也因为感情离开了自己所生活的城市因偶然的机会家境贫寒的王宇翔和豪门千金李敏儿有了交集，我们的故事就这样开始了。主人公在汽车修理厂，工又在酒吧有一份唱歌的工作，在工作的过程中又一次遇见了我们的主人公，从此之后我们的两位主人公展开了，一段女追男的故事，有喜剧，有悲剧，有励志的故事。男主人实现了自己梦想的同时实现了自己的中国梦
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
讲述一起长大的四个女孩，成年散落天南海北，但各自人生的一次转折让她们再度重聚成都。面对阔别多年的故乡，她们经历着从不适应到再熟悉的过程，在挫折中找到了事业的新方向，收获了友谊、亲人的抚慰和爱情的美好，最终她们发现，在故乡也能找到人生的无限可能的故事。
21-22赛季欧冠14决赛次回合 拜仁慕尼黑VS比利亚雷亚尔
4月13日 21-22赛季欧冠14决赛次回合 拜仁慕尼黑VS比利亚雷亚尔
《明天是国民歌手》是不分体裁、国籍、性别，只要是喜爱歌手渴望舞台的人都能参赛的超大型选秀企划。经过大约1年多的招募时间，创造了史无前例的竞争率。 节目由MC金圣柱主持，金范洙、白智荣、K.Will、李硕薰、金俊秀等担任导师，还有朴善珠、尹明善、Boom、申智、李灿元、张瑛兰、申奉仙、OH MY GIRL效定等人加入master阵容。 栏目组表示：“参赛者们用超强实力武装，毫无顾忌地散发魅力，把观众们引领至新世界。栏目组无保留注入积累下来的经验，请期待《国民歌手》的首播。”
来自克里夫兰的美国小伙子威廉•布莱克（约翰尼•德普JohnnyDepp饰）往西部去讨生活，他准备前往当地的一间工厂应聘会计。不料，他错过了应聘时间，被赶了出来。还遭到了当地迪金森金属厂的老板的百般凌辱，甚至被枪指着脑袋。\r当他沮丧地来到当地的小酒馆，一夜情发生了。岂料，和他发生一夜情的女子的男友突然闯了进来，子弹穿过女子的胸膛嵌在了威廉的胸膛上，威廉本能之下杀死了女子的男友，夺了他的马匆匆逃走了。\r一段充满了惊险、追杀的逃亡之旅开始了……