空（松冈祯丞配音）和白（茅野爱衣）是网络世界里人尽皆知的传奇人物，两人在虚拟的战斗中所向披靡，甚至被称为传说一般的存在。然而，在现实世界中，兄妹两人却是连家门都不敢出的“御宅族”，患有严重的人群恐惧症。某日，空和白收到了一位陌生少年传来的讯息，因而被召唤到了异世界中，在这里，人类种、森精种、天翼种和机凯种生活在同一片土地之上，这里没有战争和暴力，有的只是一场又一场无休无止的游戏，一切利益和权利，皆由游戏的结果决定。弱势的人类种在游戏中节节败退最终蜗居在最后一片净土之上，空和白的到来能否改变这悲惨的现状？
此片是Rain入伍前主演的最后一部作品，号称韩国版《壮志凌云》。 影片翻拍自1964年申相玉导演的以625战争为背景的空战影片《红色围巾》。 空军特殊飞行队号称“黑色猎鹰”的飞行员泰勋（郑智薰 饰）在空中表演中使用了被明令禁止的飞行技术“无引擎减速”，把现场搞得一团糟，桀骜性格也令领导深感头痛，索性借此将他“下放”到“21战斗飞行队”。在队内，泰勋结识了同期生侑珍和后辈锡炫，并慢慢适应了新环境的生活。然而，泰勋和对内号称“狙击之神”的哲熙总是起争执，终于两人为尊严名誉而战的F15K飞行决战中，泰勋首次遭遇失败。随后，他与机械队最出色的机械师世英组成一队，筹谋参加“Boramae空中射击比赛”，借此恢复自尊心。某天，一架不明敌机突袭首尔上空，毫无准备的21战斗飞行队与其展开了殊死搏斗，虽然损失惨重，但到底控制住了局面。整个半岛陷入了更大的阴谋漩涡，21战斗飞行队最后下令执行特别作战计划——R2B：返回基地。7分钟的决战，在此一举……
武林中有一把神剑名为“玄天剑”，得此剑者得天下，江湖之中各门各派为了它一直纷争不断。直到名剑门掌门马啸天重创鬼谷派闫婆夺得此剑，一切尘埃落定。马啸天想把掌门之位传给他的徒弟鹿九，并将玄天剑交给他。不料马啸天却突然被杀，玄天剑也不翼而飞，鹿久被当成了凶手，这一切的背后隐藏着巨大的阴谋...鹿九怎样才能洗清嫌疑，为师父报仇雪恨？幕后黑手究竟是谁？
阿李（李修贤 饰）和麦克（周文健 饰同毒枭张雄（王俊棠 饰）有着不同戴天之仇，血气方刚的两人发誓此仇不报决不罢休。然而，上司却将他们派到了台湾，跟踪调查一批分量巨大的毒品的走向。阿李和麦克来到台湾，捡到了这里的国际科队长马九（陈松勇 饰）和其助手程晓楠（王静莹 饰）。 为了侦破案件，麦克潜入了台湾毒品老大陈见水（柯受良 饰）的组织内部做卧底，与此同时，阿李则同马九合作，两人一个由内一个由外，企图瓦解这个庞大的毒品帝国。危险的敌人们埋伏在身边，麦克随时都有着生命危险，在这样危机的紧要关头，阿李和麦克能否凭借彼此之间的默契获得最终的胜利？
民国二十七年，日本人俘虏“抗倭救国军”司令葛道元在广场上以比武为名当众戏辱中国人，下山为师父报仇的尹秀茹（徐百卉饰）舍下个人恩怨，挺身而出与日本人比武，日军司令坂本对尹秀茹的身手大为震惊，命令准备开枪的日军收兵，号令军队习武就得练成那个女人一样身手，亲自撰写碑文，为尹秀茹立了第一块碑，尹秀茹因此声名大噪。历经日军扫荡青龙寨，抗战烽烟四起之下，尹秀茹率部接受国民政府改编，在历经与国军、新四军的合作共同抗日之后，最终受到共产党的感召，成功率部破袭咽喉要塞平靖关。
精灵古怪的话剧演员阮念初和双商颜值俱佳的高冷型男厉腾意外相遇，厉腾在危机之中救阮念初于水火，两人彼此心生好感，但生活轨迹不同，二人一别两宽。五年后，一场重逢打破了阮念初的生活，二人感情急速升温，却遭遇重重阻碍，化解一次次误会和危机后，二人执子之手背水一战，共同破解了反派的阴谋，回归了平凡又幸福的生活。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Eminent Boston Psychiatrist, Frasier Crane, last seen gracing the bars of Cheers has left his life there to start afresh in Seattle. He now has a spot as a popular radio Psychiatrist, giving him the chance to spread words of wit and wisdom to the masses. He shares his apartment with his retired cop father, Martin, and his father's physical care assistant, Daphne Moon. Add in brother Niles, Eddie the dog, some bizarre situations and plenty of humour and you've got all the ingredients for an excellent show and worthy successor to Cheers.
赛巴斯汀带来精彩的单口喜剧表演，畅聊人生小不幸，包括送小孩上学、没上牵绳的狗，以及跟老婆的约会之夜。
根据英国商人葛雷维尔韦恩(Greville Wynne)的真实故事改编。《信使》描述葛雷维尔（本尼迪克特·康伯巴奇 饰）在冷战期间与苏联线人欧列格潘科夫斯基(Oleg Penkovsky)，暗中协助中情局渗透苏联的核子计划，并提供了成功阻止古巴导弹危机的重要情报。
凯西（凯利·蕾莉饰）是一家花店的老板， 每天有着固定的生活习惯，经常去花店对面的餐厅吃饭，然后去上瑜伽课而这一切，都被路易斯（卢克·伊万斯饰）看在眼里。一天路易斯瞅准时机绑架了凯西，将她囚禁在一间10X10英尺的密室中。 路易斯因何绑架凯西，而凯西又能否逃脱路易斯的魔爪？