东和集团大小姐向园临危受命，拯救濒临倒闭的西安分公司，开始了自己的历练之旅。向园遇到了自己曾苦追不得的校园男神徐燕时。徐燕时深陷逆境，面对职场不公却依然坚持成为导航工程师的梦想。向园在处理公司危机过程中逐渐成长，独当一面。两人彼此支撑，又一次擦出了爱的火花，为实现中国北斗导航研究的梦想共赴征程。
该片改编自同名人气游戏，讲述深夜校园发生奇异现象，驱魔师继承人熙民从恶灵中拯救朋友们的故事。
该剧讲述了平凡女子谢小满阴差阳错之下得罪了吴江府有名的巨鹿郡王赵孝谦，又因他人设局与赵孝谦结下契约婚书，被迫嫁入郡王府。一纸契约让两人生活交织，从开始的欢喜冤家到逐渐相知相守，赵孝谦与谢小满携手历经坎坷，冲破重重阻碍，最终收获了一段浪漫的爱情故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
影片改编自一个真实的故事，确切的说，是来自导演本人的生活经ddd。r 1982年的一天，黎巴嫩战场上来了四名年轻的坦克兵，他们独自驾驶着一辆坦克驶进了一个平民村庄。这四名年轻的士兵没有任何作战经验，甚至连驾驶坦克也是刚刚学会的。在这个村庄里，他们的任务是配合地面作战部队清除那些看上去是巴勒斯坦解放组织的恐怖分子。r 他们的指挥官是贾米利，在他的指挥下，这次行动的要点是“快速、简单”。然而当坦克进入村庄那一刻起，这次的任务就不那么简单了。他们和地面部队失去了联系，毫无作战经验的坦克兵们像是无头苍蝇一样乱跑乱撞。一次简单的军事任务也就变成了屠杀。
Walking home from work one night, Thana, a mute seamstress in New York City's Garment District, is raped at gunpoint in an alley by a mysterious, masked attacker. She survives and makes her way back to her apartment, where she encounters a burglar and is raped a second time. Thana bludgeons this second assailant to death with an iron. She then keeps his .45 caliber M1911A1 pistol, dismembers the burglar's body, puts the pieces into plastic garbage bags and gradually disposes of them in various locations throughout the city. She begins to have frequent nightmares and hallucinations of the first assailant stalking her, and her mental stability begins to dim. Thana is noticed by a man while she is disposing of one of the bagged body parts; retrieving the bag, he chases and frightens her. Fearing another sexual assault, she fatally shoots him. This event furthers her impulse for vengeance. Gradually, Thana transforms her appearance to bee a more and more seductive bait, and sets out to kill any man who annoys her. Near the end of the film, she dons a nun's habit and red lipstick to attend a Halloween party with her boss and co-workers. Her boss tries to take advantage of her and is killed; Thana then begins a shooting spree and targets all the men present. Finally she is stabbed by a female colleague.
飞船坠毁在未知的星球上，飞行员米尔斯（亚当·德赖弗 Adam Driver 饰）发现自己竟被困在了6500万年前的地球上。此时只有一个获救的机会，他和另一位仅有的幸存者寇娅（阿丽亚娜·格林布拉特 Ariana Greenblatt 饰）要在这片充满危险史前生物的未知环境中极限求生。
What if everything we know about prehistory is wrong? Journalist Graham Hancock visits archaeological sites around the world investigating if a civilization far more advanced than we ever believed possible existed thousands of years ago.
10月24日 22-23赛季意甲第11轮 亚特兰大VS拉齐奥
鼬鼠、兔子、海狸、猫头鹰以及蜥蜴五个 主人公带着小观众们一起进行探险旅行， 传播野生动物知识，培养小朋友认识大自 然的兴趣。
在一次抓赌行动中，年轻的片警李晓阳中弹身亡。转眼5年过去，当年与李晓阳有过一面之缘的刑警大队长马格菲，在调查涉嫌经济犯罪的某公司总经理王明礼时，意外发现关于李晓阳遇害一案的蛛丝马迹，而王的反常举动更令他疑窦丛生。他开始顺藤摸瓜，先从王的妻子嘉樱入手调查，随后又在某射击场得到新的进展。此外，马与妻子邵静的关系甚为紧张，他接近嘉樱的行为引起了妻子的猜忌，而在和嘉樱接触过程中马的内心也发生细微的变化。经过他执著的追查，一起涉嫌贩毒的重大案件即将大白天下，而危险也接二连三向马及其身边的人扑来……