怀揣着漫画梦的少女田蕨苦命多年，就在她即将咸鱼翻身之日，因为一个吻，她与一个奇怪的男人建立了心灵感应。经过分析，这个男人便是她漫画的男主角，安白夜。然而，他不是什么漫穿人，而是真正的外星人。田蕨的脖子上佩戴的便是他多年来寻找的原石，他必须立即摘下原石拯救母星，但拿下原石，田蕨便会死。田蕨漫画梦的执念，使两人始终迟迟无法达成合作。安白夜决意，她实现漫画梦的那一天，便是他拿走原石之日。在此过程中，安白夜发现田蕨的身世，他们的命运居然早在十几年前便埋下了种子，而两人在朝夕相处中逐渐产生了情愫。
由国家文物局原局长、故宫博物院原院长单霁翔，北京广播电视台主持人李杰，中国传媒大学毕业生、复旦大学研究生冯琳组成“博物馆探秘团”，探究文博行业的基础工作、深入了解文化、挖掘幕后故事。
本剧基于Cecelia Ahern所著短篇小说，每个故事都从一个独特的女性视角讲述，探索自己生活中与众不同、荒谬的矛盾和问题，涵盖了各种各样的流派，共8集，每集半小时。
《深海探奇》以小海龟回归大海为主线，徐徐揭开美丽而神秘的海洋面纱……色彩缤纷的珊瑚礁、无边无际的海带森林、迷人的西班牙舞者、美丽而脆弱的叶状海龙……这些令人惊奇的美妙景色和珍稀奇异的海底生物，无时无刻不在诉说着海洋母亲的博大和多彩。然而美丽的背后，常常也伴随着凶险与残酷。顽皮的海狮遇上凶狠的大白鲨而在劫难逃，雄性石斑鱼之间的战争永无止尽，鱼儿总是无法逃脱蝎子鱼狡猾的把戏，智勇双全的杀人鲸总是不经意的出现，毒性极强的海蛇能轻易的使猎物毙命，宽吻海豚妈妈为保护宝宝而与鲨鱼展开殊死较量，长须鲸一口就能吞下整
“勿以善小而不为”是这群好孩子的座右铭！奈雅、阿里、爱丽和贾斯暗中帮助他人，并悄悄解决小镇的问题！
校园课外活动在合唱团小伙伴的努力下终于恢复，校董植念却又有了新的计谋，她一手促成了诸多社团为刷票陷入混战的局面。为了统一管理学生，她还发明了“智能手环”企图控制学生校园生活的方方面面……孩子们成长的烦恼也慢慢显现：周沫因自己女孩子般的嗓音和胖胖体型而自卑；高诗远无法定义自己对孙天圣莫名的情愫；格桑急需大笔奖学金，无奈转学光明中学；艾晓欣和三个不知名女子混迹在一起不愿意被其他小伙伴知道；一张没有名字的癌症化验单让大家感受到死亡的概念并且陷入恐惧……
内详
春潮烂漫海棠红是一部经典怀旧的上乘佳怍，由大艳星翠希·劳艾德 主演！影片从场景道具到男女主演都很优秀，年轻漂亮且富有女主角Mandy和老公性生活美满，一日她去老公办公室，发现她老公和秘书正在头欢，她非常伤心于是乎找来了她的好姐妹聊慰，哪知她的姐妹不但不惊讶，还告诉她自己偷欢的趣事，从此Mandy开始不再伤心，她也开始了自己快乐的“性福生活”……
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
1975年，华沙。43岁的Kapuscinsk是一名出色的记者，经验丰富且满怀理想，是革命与人民利益的捍卫者。在波兰的新闻社，他请求上级派他前往非洲安哥拉。这个国家正陷入独立前夕的血腥内战。Kapuscinski由此踏上了一条直达战争核心的自杀式旅途。他再次直面战争的残酷，内心首次产生一种无力感。安哥拉给他带来了前所未有的改变：他在波兰是记者，从战场回来后却变成了作家。
举报别人易，举报自己难。影片讲述的是一个让上司拉下水的受贿者，在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。
西班牙版《完美陌生人》，翻拍自2016大热的意大利同名影片《完美陌生人》。七个常年的好朋友聚在一起吃晚餐。忽然他们决定与对方分享每一个短信的内容，包括他们收到的电子邮件和电话，由此许多秘密开始公布而他们之间的关系开始发生波动。