1946年3月17日下午2点，国民党军事委员会调查统计局上海办事处参谋长李崇诗，冒着大雨准时来到龙华机场。迎接来自北平的一位重要人物，国民党军事委员会调查统计局局长，人称“戴老板”的戴笠。 然而，一个多小时过去了，依然迟迟不见戴笠专机的到来，李崇诗心中越来越预感到一种不详的征兆，“戴笠和他的专机神秘失踪”。 媒体的对外报道中，明确指出，因为恶劣天气原因影响，戴笠死于飞机失事，但是在民间，却存在各种各样的传闻，很多人对戴笠的死因表示怀疑。戴笠的死亡并非简单的飞行事故，而是有人谋杀。
AvillageontheGeorgianBlackSeaisfulloffriendlypeopleconvincedtheyknoweachother.Oneday,Elikoisfoundhanged.HisgranddaughterMoecomestoorganizehisfuneral.SheisconfrontedwithawebofliesandthetragicconsequencesofEliko’shiddenlovelifewithAmnon,whichlasted22years.ThetruthhoweverfreesMoe’scapabilitytoloveandforcesthevillagerstotakeastand.Ahomagetotheforgottenpeople,astruggleagainstbigotry,anactofempowermentforgenerationsstrugglingwiththeiridentity;togivethemastorythroughwhichtoimaginethemselvesinthefuture.–EleneNaveriani
兰桂坊是香港闻名的酒吧夜店集中地，有人寻找一夜缱绻、有人追求真挚爱情，兰桂坊常客Steven(沈志明饰)遇上空姐Jennifer(连诗雅饰)，二人发生一夜情。但他们感觉这次真的恋受了，可惜因为误会令Jennifer心灰意冷下决定绝迹兰桂坊。事隔八个月，Steven重遇日思夜想的Jennifer，更希望能够与她发展，可惜Jennifer竟已成为大老板Leslie的女朋友。朋友以过来人身份劝Steven要像其好友Sean Ma一样，相信自己的感觉，Sean更为荡女Cat付出。Steven决定鼓起勇气去向Jennifer表白自己的心意，可惜一切却为时已晚，Jennifer刚答应了Leslie的求婚。Steven毅然决定接受公司的调动，到外国总公司任职，好友们为他举行Farewell Party，Jennifer再次出现。
故事发生在抗日战争末期的上海。51号兵站是我新四军物资转运站，由于出现叛徒，兵站无法运转，党派梁宏（杜淳饰）以青帮“小老大”身份前往上海重建兵站以尽快恢复运转。梁宏家世显赫，他的突然回家引起特务马浮根（姚安濂饰）等人怀疑，为了敲山震虎，他通过淞原（寇振海饰）教授和日本宪兵队长田中（张秋歌饰）搭上关系。得知敌人手中有一批盘尼西林药品，而这批药的主人是军统特务徐曼丽（桑叶红饰），梁宏与同志们制定好了抢药计划，很快打开了吴淞口通往苏中根据地的运输通道。梁宏还利用敌人内部矛盾，成功干掉了叛徒程路，并化装成日本人抢走一批我兵工厂急需的无缝钢管，这引起了敌人的警觉......
剧集是一部以迷人的伦敦切尔西区为背景的当代犯罪片，住在船屋的探长Max Arnold 虽出生在精致富有的切尔西区，但他本人行事低调的风格却与精英专属的切尔西区相去甚远。他与周围的邻居相隔一段距离，住在一艘船屋上。Max 和他的搭档Priya Shamsie探员解决了一系列骇人听闻的谋杀案，揭开了切尔西标志性建筑背后的阴暗世界。他们所遇见的尸体，出现在一些不太可能的地方，包括家族经营的意大利餐厅、与足球流氓有勾连的社区花园中心等。
讲述了狄仁杰刚进大理寺一个月，调查一桩杀人碎尸案，在看似平淡的案发现场，却突然出现了一个神秘的图案。但就在狄仁杰准备深入调查的时候，却遭到了上级的反对，这让他更加怀疑：幕后肯定有更大的黑手
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
11月5日 22-23赛季意甲第13轮 萨勒尼塔纳VS克雷莫纳
16岁的少女悦琳因为失眠经常服用安眠药，时常感到劳累，却始终不能安眠。两年前，悦琳的双亲在一次交通事故中双双身亡，为了抚养唯一的弟弟，她不得不开始援助交际。之前，悦琳曾经有一个英俊的男友，时常约会，生活看起来平静安稳，但如今所有的生活重担和压力都落在了这个16岁女孩的纤细肩头……生活的苦涩使悦琳的睡眠看起来像是一种奢侈……
辛亥之秋，风云变幻。腐朽的清朝政府卖国求荣，出卖川汉铁路筑路权，一场保路爱国的革命风暴席卷全川。川南六县保路同志会总会长罗选青，是位刚毅强悍的草莽汉子，在他的带领下与官府展开了针锋相对的斗争。四川总督赵尔丰在成都血腥压保路运动，激起众爱国志士愤慨。罗选青以为老母亲做寿为掩护，召集各县会长密谋良策。县知事王云路也前来拜寿，使罗颇感惊讶。罗的义兄陈竟成被清兵统领李成华杀害后，派同盟会员唐彬贤赴川南协助开展运动，不幸被捕。罗得知后立刻派陈三妹和骆小豪前去营救。在清兵押解途中，救出唐彬贤，遂之罗、唐二人义结金兰。死囚被劫，惊动了李成华，率清兵强行搜查罗府，罗怒不可遏，挥刀欲搏。正在千钧一发之际，王云路前来罗府出面调解，避免了一场冲突。罗对之感激不尽，甚至想起义时拉王做内应，唐对此反对。正当武装起义准备之时，一个潜在的危险孕育成熟，骆小豪已降变节。罗在与各江湖...
在《Fairy gone》世界中，有着能将妖精作为兵器所操使的“妖精兵”存在。而在故事中，距离战争9年后那不稳定的政局，因战争受到伤害展开复仇的恐怖份子因此出现。过去故乡被战争毁灭的主角“玛莉亚诺耶尔”，m.ysgou.cc为了阻止同样在那时候活下来却选择成为复仇者的“维洛妮卡伊”，因此加入了取缔违法妖精机构“Dorothea”...