见过比贵族还猖狂的家丁吗？见过比纨绔还嚣张的家丁吗？见过比帝王还霸气的家丁吗？见过勾搭自家小姐的家丁吗？见过坐拥倾城祸水的家丁吗？许枫作为现代男人，一向醉情风月，声色犬马，却因为意外重生异界，混迹异界成为家丁的他纨绔、斗贵族、杀强者。调戏调戏萧家小姐，勾搭勾搭豪门淑女，祸害万千。成就一代家丁！
在天狼星6B 杀人机器屠杀人类事件的13年后, 某搜救小组接收到来自天狼星的讯号 , 这意味著多年后奇迹生还的人类? 还是变种的杀人机器演化为更恐怖的世代? 又或者是半人半械的混血物种要来完成消灭人类的大业?
本剧以戏中戏的表现形式呈现，在刘丁丁和李健豪的旅行中，遇到的一些挫折与争吵，导演和编剧巧妙的对剧本进行现场修改，增加了本片的笑点。同时刘丁丁和李健豪的旅行也拉开序幕，故事以每一天作为基本设定，每一天发生的事情，都对故事有推进作用，导演和编剧也在慢慢历练，中途笑料百出。给观众也上演一出“跳进跳出”的戏码，导演和编剧对剧本，台词不断的修改，给影片带来了很多亮点和笑料。最终刘丁丁和李健豪顺利完婚，给观众树立正确的爱情观。导演和编剧也在不断的摸索打拼中，完成了拍摄任务，给制片人一个满意的答卷，戏里戏外都美满的结局结束本片。
一位身怀绝技的山村姑娘再战江湖！一位是成为黑帮老二的冷艳女卧底，能否逃脱恶势力的追捕，山村姑娘和冷艳女卧底的相遇，相识，相知，一场江湖救赎，那段过往的江湖恩怨情仇，是否可以终结。一本神秘笔记能否揭开奇女子的心中疑团......
野々村静（吉岡里帆）は地方の商店街で写真館を営む父の純介（笑福亭鶴瓶）と二人暮らし。純介は生まれつき聴覚障害を抱え、同じくろう者だった母は静が幼い頃に他界している。耳の聞こえる静は、幼い頃から純介の耳代わり口代わりを務めてきた。そのため、静には相手をジッと見つめたり、身ぶり手ぶりで話すクセがある。
《西游记》又被翻拍，这次由See-Saw Films([国王的演讲])制作，热拉尔·约翰斯通([足不出户])执导。该剧共十集，每集30分钟，情节根据[西游降魔篇]和[西游伏妖篇]改编，讲述年轻女孩和三位被贬下凡的神仙，为恢复世界平衡，踏上危机四伏路途。柴·汉森、露西妮·布坎南等担任主演。该剧将在澳大利亚ABC电视台和新西兰电视台播出。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
吴彦祖主演美剧《荒原》第三季获得AMC续订，第三季将增加到16集，2018年开播。
老陈夫妇是一对普通的农村夫妇，中年丧子，想再要个孩子却始终怀不上。大华子的女儿小梅和农村出身的小刘私奔了，怀孕后失踪，好不容易才被家人找回。老陈夫妇一番经历后，重拾生活的希望，第二个孩子也不期而至。 ...
Reality dating show that transports 15 UK singles to a very special American High School setting for a second chance at finding love. Who will secure a date to prom and be named prom royalty?
1978年，鲍振江在开封市戏曲学校学戏毕业，学校的毕业汇演剧目是《包龙图》，就在毕业汇演之前，他最好的朋友金宏腿脚受伤不能上场演出了。40年后，鲍振江、李易祥一起踏上去往美国之路，和当年戏校同学一起在美国时代广场唱起了当年的《包龙图》。 陈山靠开一家祖传的牛肉汤店为生。店铺不大，只有两位伙计，位置又在小巷深处。大部分顾客主要都是周围的老街坊。牛肉汤口味纯正，深受顾客喜欢。陈山和自己的儿子陈青峰有着很深的隔阂，在儿子回家祭奠母亲三周年的时候，父子之间矛盾终于爆发了。 因为台风“山竹”过境，去往广州的高铁被取消。30岁还单身的规划设计师张明，被困在出差城市郑州，邂逅了一段意料之外的爱情。