FOX续订《辛普森一家》第35、36季。
日本经典影片《痉挛》2004，年届30的自由摄影师木岛实（佐々木ユメカ 饰）与某杂志主编栉田（堀正彦 饰）长期维持着不伦关系。某天，木岛接到一项任务，他须协助杂志编辑樫山慎一（真田幹也 饰）前去采访女性色情漫画家凤蝶（大葉ふゆ 饰）。凤蝶曾经名噪一时，5年前却因不明原因宣布封笔，而如今又决定重操旧业。木岛和慎一的首次采访并不顺利，凤蝶似乎紧闭心门，始终不愿透露关于封笔和复出的原因。采访失败令主编大为恼怒，慎一只得凭借想象去撰写报道，木岛则从当时所拍摄的照片中，急欲窥测凤蝶的内心世界。 之后的采访似乎渐渐步入正轨，而木岛和慎一的关系也越来越近 这部是日本的《痉挛电影》
故事讲述年轻记者杰伊·巴哈杜尔(彼得斯饰)偶然遇到曾经叱咤风云的战地记者(帕西诺饰)。在一番沟通后，他选择前往索马里采访。
20世纪70年代，德国。房屋待售的富商里欧帕（Bernard Giraudeau 饰）结实了四处寻找住房的19岁俊美青年弗兰兹（Malik Zidi 饰），身为同性恋的他为眼前这个青年所吸引，于是有意识地勾起了弗兰兹的同性恋欲望。弗兰兹落入情场高手的陷阱，从此成为里欧帕的情欲努力。年龄和身份的悬殊让他们之间矛盾不断，分分合合。在这一过程中，弗兰兹深深爱上了这位不该爱上的情人。不久，事态变得愈加复杂起来。弗兰兹的女友安娜（Ludivine Sagnier 饰）找上门来，她本希望带走男友，却在一瞬间被里欧帕迷住。而里欧帕的前男友——变性人维拉（Anna Levine 饰）也介入其中。四角关系错综复杂，究竟该如何收场…… 本片入围2000年柏林国际电影节主竞赛单元并获得泰迪熊奖、获得2000年纽约同性恋电影节最佳影片奖。
在星巴克工作的山姆（西恩•潘 Sean Penn 饰），虽已成人，但智力水平只有7岁。一次偶然，他收留了一个流浪女。该女子帮山姆生下了一个女儿后消失得无影无踪。 他给女儿取名叫露西（达科塔•范宁 Dakota Fanning 饰）,因为他最喜欢甲壳虫乐队的《天空中戴钻石的露西》。他非常疼爱自己的孩子。露西在山姆的细心呵护下慢慢地长大了，她发现爸爸不能看懂稍微复杂一些的故事。她在拒绝长大，希望和爸爸一样。父女两的生活是那么幸福。 地区的教育官员发现了这个特殊的家庭，他们认为山姆没有能力照顾露西，于是把露西带走了。 伤心极了的山姆一心要挣回露西的抚养权，于是他自以为是的去找该地区最好的律师……
出品单位:中高郝意思（北京）影视文化丁招来四十多岁没娶上老婆，但他不觉得这是自己的问题，总是抱怨命运不济，他遇到了何英。结婚不久，何英去世了，留下饭店却不属于他，属于他的而是那个对他不屑一顾的继子何小军。俩人产生了很多矛盾，最后让这对非亲父子最后走向融合的还是真诚相对……
《特警狙击手》讲述的是知名美籍爱国华人李一舟准备在他的出生地连海市投资建一座中国最大的化工炼油厂，并且准备在连海安度晚年。连海警方从国际刑警组织得到通报，为阻挠李一舟回国投资，有人雇用国际恐怖组织的杀手企图暗杀他，以达到损害连海市形象、破坏吸引外资的目的。连海市公安局特警支队的特警们担负起了暗中保护李一舟的特殊使命，与国际恐怖组织的杀手进行了斗智斗勇和生死搏斗，终于将犯罪组织一网打尽。
内详
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
讲述了一名卧底潜入恐怖组织查明犯罪证据，千方百计营救人质的故事。
马尔科（哈维尔·古铁雷斯 Javier Gutiérrez 饰）是西班牙职业篮球甲级联赛中的第二教练，个性向来傲慢无礼的他，因为和球队的第一教练之间爆发了激烈的争吵而惨遭球队解雇。之后，靠喝酒来抒发心中郁闷情绪的马尔科驾车撞倒了一辆警车，并且最终成功的将自己弄进了警察局。