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  • 2023 7.0

    当你照亮我

    学霸男神薄奕一直暗恋元气少女孙渔,一场电竞俱乐部的危机让两个人的命运有了交集。薄奕出手相助,帮助俱乐部赢得了比赛。本想事了拂衣去,深藏功与名,不料引起了俱乐部老板注意,“利诱”孙渔签下薄奕。至此,孙渔开始对薄奕纠缠不休,薄奕避之不及,却又因辅导员指派一对一帮扶,不得不再次面对孙渔。两人在被迫营业的过程中逐渐互生好感。

  • 2007 4.0

    重整旗鼓

    他是一个落魄的拳手,曾经的辉煌年代早已过去,他也不愿再提,如今他推着一辆超市手推车流浪在街头,连一个名字都没有,同伴们给他起了个外号——反复嚼(塞缪尔·杰克逊 Samuel L. Jackson 饰)艾里克(乔什·哈奈特 Josh Hartnett 饰)是一个不太成功的记者,除了被老板派遣去采访一些毫无价值的体育新闻外,他一事无成。 一场斗殴将这两个看似毫无交集的男人联系到了一起,艾里克将反复嚼从小混混的拳脚下救出时也发现了他惊人的拳击天赋,他认出了这个脏兮兮的老头竟然就是曾经红极一时的拳击天才,而在纷繁的传言中,他早已死于非命。一个得天独厚的机会近在眼前,艾里克知道,这将是一个多么重量级的新闻报道,而他也将就此一举成名。

  • 2019 8.0

    书灵记

    瀛洲界内,诸子百家,唐诗宋词,皆有书灵。在《唐诗三百首》中醒来的书灵顾七绝,骑着《山海经》的神兽驳,与为了养活自己和一群妹子而努力奋斗的乐五音一起踏上了一条寻找唤醒其他书灵的道路。

  • 2009 9.0

    遥远的诺邓

    诺邓是云南境内一座被历史遗忘的山村。自汉武帝开滇,这里因盛产优质的井盐而设郡县,成为茶马古道上贩盐的起点;经济的发达移民流通,祀孔设学,科名鼎盛,唐明盛世的很多地方还在茹毛饮血,诺邓却早已是商贾云集的通都大邑。近代工业文明让盐不再难得,世人不用再翻山越岭到此找盐,诺邓于是被冷落、遗弃,岁月的风尘给千年白族古村一层厚重的“包浆”,古代文明的灿烂在破败潦倒,满目创痍之中象耄耋老人讲述当年的风光……  

  • 2022 4.0

    美队饰演大反派,邦女郎再次开撕#灰影人

      《灰影人》由Netflix和AGBO合制,剧情讲述人称“灰影人”的寇特·詹特利(瑞恩·高斯林 饰)为中情局效命,特务代号“山岭六号”。上线唐纳德·菲茨罗伊(比利·鲍伯·松顿 饰)当初将他弄出联邦监狱,让他成为局里钦点的精锐死亡佣兵。如今风水轮流转,六号反倒沦为头号目标,中情局前同事洛伊德·汉森(克里斯·埃文斯 饰)为了铲除他,无所不用其极地发动全球围攻,特工达妮·米兰达(安娜·德·阿玛斯 饰)却总能在他千钧一发之际伸出援手。

  • 2023 7.0

    夫人副本重启中

    富家女白晚晴十分反感被当成“联姻工具”。一场车祸后与大学生言沫发生了身份互换。失去身份的她只得去找工作,不想竟然找到了当初的联姻对象萧尘家中。二人在相处中渐渐对彼此产生感情。言沫为了保住身份,掀起了对萧氏集团的商业暗战。历经坎坷,两人携手解除家族危机,最终有情人终成眷属!

  • 1947 1.0

    丹麦小村教堂

    The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

  • 2018 8.0

    疯狂的麻将

    来自山村,却爱好古玩的“老七”,带着侄子“小七”在城市里做瓦匠。老七希望能赚到钱,在城市里买上房子,然后把老娘、妻女接来共同生活,再给侄子找一个城里姑娘做媳妇。而他的侄子小七,却一心想着攒够三万元钱就回山村,完成他和乡村女教师秀花的梦想:给山村孩子们盖上宽敞的教室。叔侄俩为一去一留斗智斗勇。

  • 1983 1.0
  • 2015 1.0

    老爸当家

      布拉德(威尔·法瑞尔 Will Ferrell 饰)是一位电台经理,在邂逅了名为萨拉(琳达·卡德里尼 Linda Cardellini 饰)的女子并同她坠入情网之后,他有了两个可爱的继子梅根(斯嘉丽·埃思特维兹 Scarlett Estevez 饰)和迪伦(欧文·瓦卡罗 Owen Vaccaro 饰),从此,布拉德的人生备忘录上又有了新的的目标——成为两个孩子眼中最棒的继父。

  • 2018 6.0

    夜伴情人

      安志意外骨折在医院等候治疗,他恍惚间总是看到去世的前女友彩儿在医院尽头闪现。   另一边,小雅因车祸出现在急诊室,她醒来后也总能在医院里看到已经车祸丧生的前男友阿健。   小雅因车祸选择性失忆,她回忆起车祸导致阿健死亡,因而内疚自责。因此小雅屡次选择自杀,但冥冥中似乎有人在阻止着她。   安志反复自残、住院,引起了护士蔡菲的注意,蔡菲在和安志的交往中慢慢对安志日久生情,并从安志同事口中得知安志自以为害死女友彩儿的心结,导致心理疾病PTSD。   小雅的哥哥大风以及蔡菲同时想要为各自爱的人解决问题,于是找到了Dr. K,Dr. K告诉了大风和蔡菲解决办法,安志、小雅终于重获新生。

  • 2013 1.0

    魔女嘉莉2013

    宛若小兔一般的嘉莉·怀特(科洛·莫瑞兹 Chlo? Moretz 饰)在妈妈玛格丽特(朱丽安·摩尔 Julianne Moore饰)的严格看护下成长起来,与学校那群开放浪荡的女孩相比,她就如同从纯洁的童话世界里走出来一样,一尘不染。在一次事件后,过分惶恐的嘉莉成为克莉丝 (波茜娅·道布尔戴 Portia Doubleday 饰)、休(加布瑞拉·王尔德 Gabriella Wilde 饰)等女孩们嘲笑和欺凌的对象。极度的压力和耻感之下,嘉莉意外发现自己仿佛拥有神奇的魔力。另一方面,深感惭愧的休劝说男友汤米。邀请嘉莉参加毕业舞会。而遭到校方惩罚的克莉丝则处心积虑要进一步羞辱嘉莉。  小魔女用魔力逃脱母亲所编制的樊笼,而她的人生充满更多的不可测……

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