Insomnia spreads in a small town, causing fear and panic. As the situation becomes dire, two couples find salvation on an abandoned ranch, but as nefarious characters descend upon the land, claiming it as their own, and chaos ensues.
DarkSpellisastoryaboutthegirlnamedZhenyawhosuffersfrombeinginlovewithherhusbandthathaslefther,soshedecidestobringhimback.Desperateheroinecastsaspellcalled"BlackWedding",whichisamagicalritualknownforitsgreatpowerandirreversibility.Aftertheritual,herbelovedhusbandcomesback,althoughhislovebecomesmorelikeanobsession:heisevenreadytokillZhenya,soasnottogivehertoanyone.Whenthemaddenedhusbanddies,thespelldoesnotstop:becauseevendeathwillnotpartthosewhowerebetrothedbythedemonofblackwedding.
本片主要讲述武周时期，生活在洛阳洛河水两端，不同阶层的两个少女意外被卷入悬案之中，拥有不同身份的她们同心协力揭穿反派阴谋的故事。故事中的两个主人公分别是金吾卫队长的女儿赵青青，以及混迹于城市底层的女孩小骗子，原本过着截然不同生活的两个人，在遭遇洛阳城内一连串匪夷所思的离奇案件后，组成了临时搭档，她们历经重重考验，仍然以无畏之心在乱世中坚守着正义。
为免恶经理人邦子参加为女歌手贵子准备的生日派对,乐队领班工藤编了一个"间谍谎言"欺骗邦子；讵料邦子信以为真，转告贵子。贵子为救其父，秘密飞港寻他，因受谎言影响，只觉草木皆兵，在飞机上误引起炸弹疑案。香港电视台从业员阿B为采访炸弹事件，与贵子相遇。误打误撞，弄坏公司车辆，面临失业危机。阿B助贵子寻父，遇工藤与邦子到港寻贵子。贵子被误为与变节苏联特务有关，被美国特工捉去。女干探祖儿，联同阿B等人潜入情报基地，合力大破间谍网，救出贵子父女，皆大欢喜。
Thejourneyofatranswomanwholeavesherhometownanddoesn’tcompromisehergoaltobeafreeandindependentwoman.
一只年老的藏獒,将老人,儿子与卖狗人扭结在一起.儿子要卖了它,老人坚决要留住这牧人的朋友,卖狗人要将它卖去做宠物.由羊群,白云,牧人组成的藏区风景上,或许是最后纯种的藏獒该何去何从?既是老人的苦恼,也是对藏族文化传承的迫切叩问.
本片改编自罗伯特·哈里斯的国际畅销书。1938 年的秋天，欧洲正处于战争的边缘。阿道夫·希特勒准备入侵捷克斯洛伐克，内维尔·张伯伦政府拼命寻求和平解决方案。眼见局势升温，英国公务员休·莱格特和德国外交官保罗·冯·哈特曼前往慕尼黑参加紧急会议。随着谈判开始，这两位老友发现自己落入了政治诡计布下的巨网，正面临异常的危险。在全世界的注视下，战争能否避免？如果可以，需要付出什么代价？
A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展开全部) A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).
Ga-eul六年为她的婚姻,但她与她的丈夫带给她麻烦依赖酒精。Hee-mang是一个住在隔壁的作家,但不能忍受战斗在Ga-eul那边的房子,让他一天。从那时起,Ga-eul Hee-mang家走过去每一次她与丈夫发生性关系。Hee-mang困惑在她的行为...