曾经的不良少女，如今的高校女教师，对于罗菩堤（孔孝珍饰）而言，这就是她这几年的巨大转变。因为暗恋母校的老师池贤宇（金多贤饰），菩堤下了苦工终于从师大毕业，阴差阳错又进入到了母校教书，希望和贤宇走的更近些；另一边，校长的儿子，问题儿童朴泰仁（孔侑饰）被美国的学校开除，不得已进入到自己的学校就读。而菩堤意外和泰仁碰面，可谓不打不相识。因为泰仁进入到母校当老师的菩堤起初受尽了学生的折磨，其中尤以泰仁为甚。但渐渐的，菩堤的真诚和体贴得到了学生们的认可，也让泰仁心生爱慕之情。可那一边，菩堤却与贤宇进展顺利……
炒粉（张致恒 饰）和细兜（关智斌 饰）是两个平日里无所事事的小混混，整天游手好闲，四处招惹是非。某日，两人惹到了太子爷须刨（张达明 饰）的头上，须刨带着人手前往两人所在的学校找茬，眼看着一顿暴打在所难免。就在这个节骨眼上，炒粉和细兜恰逢黑道大哥笠哥（陈惠敏 饰）正在招收小弟，两人想都没想就主动请缨。 如今，炒粉和细兜也是有老大罩着的人了，在笠哥主持的“家庭大会”
日本麻将游戏《#雀魂#》TV动画化决定！将于2022年4月开始播出！
夜色笼罩，幽州节度使张伯靖仓皇逃跑，没想到从后面飞来一把剑……此事惊动朝廷，皇上命裴准去幽州一探究竟。同时，瘸腿牵马接到江湖令，邀请苏燕南和镜月去幽州找一个女人。江湖、藩镇纠葛在一起……
一阵急促的手机铃声吵醒了报社实习记者应佳，电话是应佳的采访对象、十六岁的女中学生李小小打来的，她惊恐地告诉应佳她被人绑架了，而前一天晚上，离家出走，整天泡在网吧里的李小小和同伴圆圆刚刚假装被网吧老板打伤无钱治疗骗走了应佳四百多块钱。应佳以为这又是恶作剧，但听到电话里李小小恐慌的哭诉，动了恻隐之心，她抱着将信将疑的态度，根据李小小提供的线索，来到圆圆家察看，果然发现圆圆被几个小伙子从车上推下来，摔得昏迷不醒。短暂的慌乱后，应佳将消息反馈给报社快速反应新闻中心，于是在报社记者的全力配合下，根据李小小提供的支离破碎的线索，竭尽全力地查证李小小的确切下落。最后协助警方，成功地救出了奄奄一息的李小小。
T病毒在蜂巢中肆虐并很快打破了地面上浣熊市的平静，丧尸开始在人群中出现，安布雷拉公司将整个城市封锁，计划使用核武器摧毁城市以掩盖病毒外泄的事实。被安布雷拉注射T病毒使身体能力远超常人的爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）由昏睡中醒来，她在混乱的浣熊市与防卫队员瓦伦汀（Sienna Guillory 饰）、记者泰莉等人组成队伍，试图找到脱身之法。另一方面，安布雷拉公司的科学家艾肯佛博士为搭救被公司抛弃在城中的女儿安琪拉，以提供逃生方式为代价请求爱丽丝和防卫人员卡洛斯（Oded Fehr 饰）两组人马帮助。而安布雷拉公司派出了由环保分子麦特所改造成的“复仇邪神”阻止这一切…… 本片获2005年加拿大吉尼奖最佳音效剪辑奖、金盘奖。是生化危机系列电影的第二部。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
故事灵感来自讲述阿曼达·诺克斯案件(被控谋杀英国室友)的小说《Angel Face》。片中，女记者西蒙妮和男纪录片导演托马斯追踪一宗谋杀案，故事将着重于两人的心理变化。导演迈克尔·温特伯顿把男主角类比但丁，称本片是现代版《神曲》。
瑞典卖座《龙纹身女孩》二三部曲导演丹尼尔艾佛瑞德森执导，安东尼霍普金斯监製主演。重返家乡的莉莉安遭到小镇前警长的跟踪与骚扰，并因前警长过大的势力而无人愿意帮她，她只好到森林中寻求老樵夫的协助。
MTV正式宣布续订《沙娜拉传奇》第2季。
他们是一对房地产经纪人夫妇，生活平淡无奇。妻子的剧变将二人送上一条死亡和毁灭的不归路，不过这也并非一桩坏事。 茜拉为何变成了不死族？乔尔在疯狂的道路上已无法回头了？埃里克和艾比只是朋友？难解的问题越来越多，正如那越垒越高的尸体。