特警11号是全美国最优秀的警犬，在和训导员天衣无缝的配合之下，他们破获了多起重案要案，这也让特警11号成为了诸多犯罪分子们的眼中钉肉中刺。毒枭桑尼（保罗·索维诺 Paul Sorvino 饰）就是其中之一，曾经栽在了特警11号手上的他发誓一定要将条警犬从除之而后快。 为了保护特警11号，训导员决定把它送往警犬基地保护起来，然而，桑尼早就在警队中安插了内线，特警11号实际上早就落入了圈套之中。好在特警11号拥有着过人的智慧，它识破了阴谋，躲过了暗杀，藏身于平凡邮差戈德（大卫·阿奎特 David Arquette 饰）的车中，并因此邂逅了热爱小动物的男孩詹姆斯（安加斯·T·琼斯 Angus T. Jones 饰）。
高原雪山脚下，小提琴手文峰（李至正饰）与神秘女子朵拉（谭卓饰）之间一个浪漫的邂逅之吻，竟让文峰成为了万中无一的吻瘾者，他的生活自此因对吻的迫切渴求而陷入困境，只得再次踏上高原探寻答案。一个时空交错的凄美爱情故事就此拉开帷幕……
菲律宾火爆动作片，由菲律宾大导演埃里克·马蒂执导，曾执导过《末日杀神》,《敌魔修行》,《贪婪的代价》等优秀作品。从预告看，各种巷战，各种血肉模糊。女主与穷凶极恶的毒贩斗恶，结局只能你死我活，在最危险最封闭复杂的贫民窟中，上演暴力交响曲！女主强悍，帅呆
影片讲述了新人拳击手张彻屡遭挫败但不言放弃，逐渐蜕变成长为拳王的故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
赤条条的欲望线上看,赤条条的欲望完整版在线观看,雾 （Kaylani 雷） 是在由多美子 (Mika Tan) 妓院工作的应召女郎。苍生子跑她的房子像是迷你的独裁政权，使所有女孩们跟着一套严格的规则 ︰ 没有男朋友，不接受小费，等。雾是家顶尖的女孩
为偿还债务而夜以继日工作的十六岁女孩，在偶然中遇到了一个在黑社会充当古惑仔的十八岁少年，两人忘我地相爱，然而，等待他们的命运却又如何呢？
年轻的畅销书作家 Eryn Bellow 结束了她的书店之旅，她的经纪人出售了电影版权，并为她的后续行动完成了六位数的预付款。 批评者对 Eryn 被宣布为活着的文学传奇的说法感到冒犯，逆风出现了。 随着攻击从差评转移到旨在抹杀他的假回忆录，风暴聚集了力量
邵氏在八十年代的大型武俠片《情俠追風劍》，演員陣容強勁，再加上金庸著作，吸引力非凡。武功強勁的白一鵬（凌雲）全家遭「冷血五祖」殺害，白闖冷家報仇，卻遇上生性善良的冷秋霞（李麗麗），了解下二人相戀，白被冷家追殺下跳崖，眾人以為白已死。冷靈芝（妞妞）乃是白與秋霞女兒，後來聯同父徒弟夏侯曉桐（汪禹），將「冷血五祖」殲滅……
9月11日 22-23赛季意甲第6轮 国际米兰VS都灵
未来的竞争愈加残酷，使新人类几近崩溃，为拯救这些遗失的灵魂，一种新的职业“幻游猎人”应世而生。一帮拥有猎人身份或以猎人身份为目标的年轻人，进入了名为“勇者大陆”的游戏世界里，开始了他们意想不到的冒险。
故事发生在加利西亚海岸的一个村庄，这里的时间似乎停滞了。当自然和动物自由活动时，每个人都处于反射性的瘫痪状态。然而，我们仍然可以听到人们的声音，就好像他们在另一个平行的维度。这种感觉就像置身于一个充满幽灵的地狱。三个女人出现了，她们似乎能够在这两个维度之间移动。这些女性正在寻找卢比奥，此人是一名经验丰富的潜水者，但他最近失踪了。