劳瑞尔（朱丽安·摩尔 Julianne Moore 饰）是一位办案经验非常丰富的警探，在岗位上23年，劳瑞尔的办案能力从来都没有输给过任何的一个男同事。然而她有一个秘密，那就是她是一名同性恋者，为了保护自己在警局里的地位，她必须对这个秘密严防死守。 某日，劳瑞尔在一场活动中邂逅了名叫黛西（埃利奥特·佩吉 Elliot Page 饰）的女子，黛西是一名汽车修理工，虽然他们两人无论是身份还是年龄都悬殊巨大，但恋人还是彼此吸引最终走到了一起。不幸的是，劳瑞尔发现自己患上了癌症，命不久矣，她打算把自己的养老金转到黛西的名下，以保证她在自己去世之后依然能够拥有她的房子，但劳瑞尔的申请很快就遭到了拒绝。
在二战初期，一位德国军官试图查出荷兰抵抗组织是否派了一名间谍打入威廉二世皇帝在荷兰的公馆中，但他却在调查过程中爱上了一位年轻的犹太人荷兰女子。
戴茜（杰西卡·坦尼Jessica Tandy 饰）小时候在贫民地方长大，丈夫生意的崛起才让他们家过上富足日子，所以戴茜非常节俭。现在她年事已高，不能自己开车了，儿子为她请来黑人司机霍克（摩根·弗里曼 Morgan Freeman饰），但是戴茜却十分不喜欢。她起初逃避出行 ，因为不想让霍克当上司机，后来她才觉得，儿子付了钱却不用他干活，似乎太不划算，于是终于给了霍克第一次为自己开车的机会。 霍克是一个非常善良淳朴的男人，他知道自己不被接受，并没有把不快放在心里。相反地，他处处关心戴茜的生活，也慢慢了解戴茜坚守原则的执著性格。戴茜对霍克的排斥开始慢慢消融，直至几年间她终于发现，霍克是一个很值得信赖的朋友。 于是，戴茜教会不识字的霍克传授认字，霍克也成为了戴茜晚年最贴心的朋友。
一眉道长九叔（林正英 饰）擅长降妖除怪，麾下两个徒弟阿星（倪星 饰）和小月则鬼马顽皮，经常作出令师傅头疼的事情。 九叔师徒所在的酒泉镇教堂曾发生离奇惨剧，屋顶的十字架遭雷劈，将神父活活插死，教堂从此荒废关闭。二十年后，吴神父（午马 饰）计划重开教堂，九叔知教堂处在酒泉镇至阴之地，重开必伤人命，遂极力反对。而镇长之子David（杨子孺 饰）欲借教堂做不法勾当，极力主张重开。 九叔拗不过众人，只好作罢。然自此，内中邪祟重返人间……
EndingCut是指拥有入殓师技术的理发美容师，一边倾听遗属的声音，一边修剪故人的头发、染发等…。对于忙于匆忙的葬礼工作的遗属来说，约2小时的EndingCut，会产生与死者最后告别的时间。对于谁都无法避免的“重要之人的死”，剩下的家人能做些什么呢？主角迫田结（芦田爱菜饰）是住在海边小镇的高中3年级学生，父亲和俊（佐藤隆太饰）和母亲七海（广末凉子饰）是美容师，夫妇俩经营着一家小美容院，从小就喜欢画画的结，以升入美大为目标，在街上的画塾上学，临近推荐入学考试的结，虽然花了一个夏天画了一张画，但是被作为画塾讲师尊敬的那须薰（MAIKO饰）指出有什么不足。但最近和俊的样子很奇怪让结很担心，常把店交给七海，自己只做外出剪发的工作。有一天，结在去画塾的途中，看到了穿着丧服的和俊觉得可疑，就追在和俊后面，好不容易走到的地方是葬礼场，结追问了出来的和俊，并坦白说开始接入殓遗体剪发的EndingCut工作。
影片讲述青年医生刘云翔因为父亲的被杀从而卷入了一起日军盗抢国宝化石的阴谋，展示了我北平地下党为保护民族国宝而同日本侵略者斗智斗勇的故事
华凤的叔叔为夺取华家的家产，派杀手刺杀华凤。“形意拳”传人方云山成为华凤的保镖。方家为儿子云山找的媳妇杏儿，与杀手詹龙的弟弟詹岩青梅竹马。云山与华凤产生恋情，好友慕容川设计成全了他们两对的婚姻。
Ten fisherman from Cornwall are signed by Universal Records and achieve a top ten hit with their debut album of Sea Shanties.
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
Zoo is set amidst a wave of violent animal attacks sweeping across the planet. A young renegade scientist is thrust into a race to unlock the mystery behind this pandemic before time runs out for animals and humans alike.
一方恶霸李谦生意网络遍布各行各业，却十分痛恨日本人恰逢另一恶霸周一指与日本人合开的夜总会开业，李谦上门警告，却被手下王策出卖输掉了与日本人的赌局。在手下茉莉护送下李谦逃出坠河，茉莉却被杀害。受伤的李谦遇到心地善良的阿娇，记不起往事的他机缘巧合下帮助阿娇赎回父亲胡老烟。二人日久生情，李谦也在逐渐恢复记忆，却不再想过以前打打杀杀的日子。胡老烟认出李谦是通缉犯并向日本人告密谋求赏金，却不想日本人屠村自己为了救女儿也惨遭毒手。面对如此惨状，李谦决定绝地反击……