影片灵感来自迪士尼乐园同名游乐设施，“在一个让人不寒而栗的鬼屋中进行一趟令人毛骨悚然的旅行，有幽灵、食尸鬼和超自然力量带来的惊吓”，聚焦一个搬进了这栋豪宅的家庭。
该剧改编自推理作家柚月裕子的同名小说，天海佑希饰演的是头脑清晰的变装达人、原为律师的美女侦探上水流凉子。松下洸平饰演IQ140却不擅长与女性相处的搭档贵山伸彦。本作讲述二人组成的个性组合用“不可能”的手段将歹徒们葬送的故事。
电影讲述农场工人Narsimha急需要一笔钱作为孩子的教育开支。他在无意中遇见了一个纳萨尔派团伙，并且只要他入伙完成一个武装任务就可以拿到他所需要的钱。但不久Narsimha就发现，这个团伙的目的竟然就是经过军事训练后，手持军火器械进行烧杀抢掳。Narsimha妄图逃脱这种罪恶的生活，不过一旦他重返现实生活也还将受到法律制裁。
拳坛上所向披靡的“死神”周始因一次意外被判入狱五年，出狱后妻子离世，只剩女儿周自在等他。年幼的女儿被发现患上白血病，周始为完成女儿心愿，以36岁高龄重返擂台，与拳王展开IBF金腰带争夺战。即使体能消耗殆尽、头破血流、视线模糊、血肉飞溅，亦会继续打下去，直至分出胜负…
讲述吕洞宾成为仙人之前的故事。
影片根据真实故事改编。被称为“独狼”的NBA球星马布里事业陷入低谷，黯然隐退。在王牌经纪人李楠（吴尊 饰）的邀请和家人的鼓励下，马布里做出了人生中关键的决定——前往中国追寻自己的“篮球梦”。当坐在飞往中国的飞机上，背后却是他在NBA留下的辉煌和遗憾…重新焕发激情和热血的马布里，却没预想辗转到一支没落的球队，遭遇性格各异、士气低落的队友。在去留抉择间，他对意气相投的教练郑亚雷（何冰 饰）说出了唯一可以使自己留下来的条件——冠军。迎着所有人的质疑和不屑，带领着这支残兵野将的球队，两个拥有共同梦想的男人带领球队踏上了成功概率几乎为零的巅峰征程……
ExploringthemassgangmovementthatoriginatedinBirminghamandotherindustrialcitiesinthe19thcenturyandevolvedintomoderngangsterismintheearly20th.
此系列游戏的故事背景皆是在圣米卡艾尔女子学园（圣ミカエル女子学园，简称米卡女）展开的，内容则分别为在此学习的几对女孩的恋情故事。剧情均为百合式。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
讲述一个年轻人从大学到结婚的生活。
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