2023斯诺克国锦赛 第2轮 马克·戴维斯VS卢卡·布雷切尔

暂无简介

新海神号历险记

新年的钟声即将响起，欢快喜庆的气氛弥漫在正孤独航行于北大西洋上的海神号中。这是一艘拥有800个房间、13层楼高、载客量超过2000人的超豪华邮轮。在船长麦克•布莱福德（Andre Braugher 饰）的组织下，达官显贵、社会名流纷纷云集在豪华明亮的大厅，伴着美食佳酒、轻歌曼舞一同庆祝新年的到来。与此同时，大西洋底的地壳发生剧烈震动，继而掀起足以摧毁万物的滔天巨浪。在自然面前，再坚固的船只也需俯首称臣。海神号被巨浪掀翻，无数人丢掉性命。面对死神的威胁，侥幸逃过第一波劫难的人们开始想尽办法逃生。在茫茫无所依靠的大海中央，他们的命运终将如何？ 　　本片翻拍自1972年经典灾难片《海神号遇险记》（The Poseidon Adventure）。

海苔超有料

《海苔超有料》是海南天宇传媒有限公司制作的谈话性娱乐节目，节目从海南本土网红嘉宾、B站UP主和市井民众的角度切入，洞察当代年轻人是如何看待正在发展的海南。节目秉持“生活化”、“平民化”和“世俗化”三大特点，倾力打造出适合大众趣味性的海南综艺，让观众尤其是繁忙的上班族能在这45分钟的海南综艺里得到放松，缓解社会的压力和内卷焦虑。

2036来历不明

2030年，人类凭借超光感通讯科技，使外太空航天竞赛进入白热化阶段。行星联合航天集团值此良机发射了火星探索飞船火星一号，但是不知为何这次行动以失败告终。六年后，宇航员麦肯齐·威尔森（凯缇·萨克霍夫 Katee Sackhoff 饰）再次驾驶飞船飞往火星，然而她很快发现，飞船中实际占据主导地位的竟然是人工智能阿尔迪，她为此和自己的姐姐——行星联合航天集团官员伦娜（朱莉·考科斯 Julie Cox 饰）激烈争论，然而终究无法改变既成事实。火星上的情况难以想象，更何况威尔森姐妹的父亲便在上一次行动中丧生。 忐忑不安的麦肯齐只能接受阿尔迪的主导，她很快发现许多被刻意隐藏起来的秘密……©豆瓣

头脑简单的杀人犯

该片形成了一种无产者与资本家阶级对立的现实主义题材，以及神的力量奖善惩恶的寓言混合体。此片有两个主要特点，第一是怀旧情绪。以30年代瑞典为背景，经济大萧条所的情绪来建构影片的基调。第二是政治色彩。几十年来人的愚昧，麻木和逃避为一种强权的产生汇集了能量，这种能量散发的结果就是对人长期拥有的自由平等的权利进行疯狂的扼杀。这部影片在最后引入了宗教对人类的拯救，寓意十足，耐人寻味。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

锦衣神匠

天启元年，机关盛行，新旧党派，争权谋乱。齐南府秀才沈问，擅木工机巧之术，某日在路上无意间卷入一起皇宫秘宝失窃案，由此结识了锦衣卫总旗沐思卿。沈问发现锦衣卫寻找的秘宝竟然是当年导致他满门被灭的六合兽图，六合兽图内有皇朝隐秘，为了寻找灭门仇人以及解开六合兽图的秘密，沈问决定暗中布局混入北镇抚司寻找当年真相。

一咬定情

马可一位大学学生，他正绞尽脑汁地想法追一位美丽的女孩，苦无进展时，一位令人眩目，漂亮的伯爵夫人出现，瞬间夺走马可的心思，孰料这位女伯爵是个四百岁的吸血鬼，她需要真正的处男鲜血来维持她的美丽与生命……

夜郎

夜郎不自大，交警杜军面对种种突如其来的变故，只觉人太渺小太脆弱。妻子小芳快要临盆，正在静侯新生命来临；刚成年的妹妹杜丽却意外怀孕，在流产所外犹豫未决，想把孩子生下来；多年不见的旧情人杨敏也在此时出现，...

22-23赛季西甲第2轮 塞尔塔VS皇家马德里

8月21日 22-23赛季西甲第2轮 塞尔塔VS皇家马德里

黑暗的欲望第二季

酒精计划

本片将围绕马丁(米科尔森饰)和他三个朋友展开，这四个高中老师为了摆脱日常的循规蹈矩，开始了一项持续醉酒的实验。虽然计划最初很成功，但最终失败了。